pages
Archives
- January 2009 (65)
- December 2008 (285)
- November 2008 (272)
- October 2008 (306)
- September 2008 (335)
- August 2008 (352)
- July 2008 (354)
- June 2008 (340)
- May 2008 (353)
- April 2008 (325)
- March 2008 (18)
Blogroll
Having an economical impact line is primary for photographers. In the life of film, whatever of the tasks in the flick impact line were handled by the lab. Now, more and more photographers are modify to digital and hit to appendage whatever of these tasks themselves. The determine of this writing is to wage a base digital impact line for employed with RAW images that is camera and grouping independent.
Most recent digital SLR cameras, and whatever saucer and dispense models, hit the knowledge to achievement the RAW accumulation from an exposure, allowing the artist to impact the images as they wager fit. This crapper be a discouraging task, especially for those who don’t hit a impact line in locate to appendage the images from the camera. The mass steps module avow you ended the impact of environment up your possess RAW digital impact flow.
Work line Step 1: Compose and Expose
Your digital impact line begins before you ever ordered downbound at your
computer. One of the prizewinning things you crapper do to attain your impact line more economical is to intend as much of your ikon amend in the camera as possible. Many digital photographers hit fallen into the “I crapper mend it on the computer” trap. This costs you happening and money. The more happening you pay “fixing” a picture after you’ve tripped the shutter, the inferior happening you are outlay with clients.
Here are a whatever tips to support turn your workload from the happening you attain your exposure:
- Set your white-balance to precise your scene. If you intend the comely white-balance in the camera, you won’t hit to modify it after on the computer. See your camera substantiation for how to ordered a bespoken white-balance. Remember to ordered your albescent equilibrise whenever you modify lenses, or the calibre of light. If you modify modifiers, or lenses, modify your white-balance as well.
- Expose for the highlights. Since digital acts kindred to motion film, its cushy to unexpectedly expiration your highlights. By exposing for the blistering parts of the image, you’ll spend yourself whatever happening in the daylong run.
- Scan your frame. Get in the usage of doing a top-to-bottom construe of your inclose before you activate the shutter. This module support you refrain wander hairs, lights in your frame, reflectors existence visible, and anything that you strength hit to ikon discover of the ikon later.
Work line Step 2: Importing and Backing Up Your Images
There are whatever scheme to intend your images from your camera to your
computer. Some grouping ingest a bill reverend that module feature the images soured the module bill from the camera. Others enter the camera direct to the machine and goods the images directly. No concern how you intend the images to the computer, your prototypal travel is to falsehood an organizational scheme for the images and create a patronage double of the RAW files for safety.
First, create a folder to accumulation your ikon files. In our studio, we ingest the folder study to care our images. For instance, let’s feature we are commercialism images from a semblance conference with Jane Doe that took locate on Jan 1st, 2005. Our folder study for this conference would be P_2005_DoeJane_0101. If we also did a semblance conference with Evangelist Doe on the aforementioned date, our folder would be titled P_2005_DoeJohn_0101. This allows us to primed our images fashioned in a artefact that we are old with. Use whatever folder scheme you like, as daylong as it helps you primed things organized.
Next, we module create the folders low our P_2005_DoeJane_0101 folder that we module ingest during the instruction of processing the images. We create the mass folders: RAW, WORK, and JPEG. The test enter scheme looks same this:
-+P_2005_DoeJane_0101
-|-RAW
-|-WORK
-|-JPEG
The RAW folder holds our RAW ikon files, the WORK directory holds the computerized TIFF files where we module do every of our editing, and the JPEG folder holds the rank files, primed to be uploaded to the lab.
Copy the images from your camera to the RAW folder using whichever method you prefer. As presently as this initial double is complete, attain a patronage double of these images. Some photographers patronage to writable CD-ROM or DVD discs. Other photographers patronage to a removed patronage hornlike drive. No concern what method you opt for your backups, they are CRITICAL. Make trusty you crapper better your images if something should hap to your module card.
Work line Step 3: Verify Your Backup
Your patronage double of the RAW images files is important. Take a instance to avow that you crapper feature the images you derived to your patronage medium. Once you hit verified your patronage medium, you haw travel with the impact flow.
Work line Step 4: Culling the Herd
Converting the images you never poverty the computer to wager wastes happening and money. Use your desirable ikon application to go ended the RAW images and withdraw whatever that you undergo you won’t use. Don’t vexation most deleting the criminal file, that is ground we prefabricated a backup. If you withdraw a enter you wanted, meet alter it backwards from your backup.
Once you hit designated your “keepers” from the RAW images, it is happening to advise on to the incoming step.
Work line Step 5: File Conversion
Most cameras become with code specifically fashioned to modify the RAW ikon accumulation from its autochthonous info into TIFF files, JPEG files, or whatever added info that is harmonious with the favourite ikon redaction software.
At our studio, we modify the RAW images into 16-bit TIFF files,
because we same to hit the peak turn of accumulation acquirable for
redaction and processing. Your needs haw vary. There are whatever articles on the cyberspace that care with the assorted enter formats and the pros and cons of each. For the determine of this tutorial, we are feat to adopt that the files are existence regenerate to 16-bit TIFF files.
We today unstoppered the code that came with our camera and ordered it to
modify our RAW ikon accumulation to 16-bit TIFF files, and spend them in the TIFF folder we created in Work line Step 2. This travel crapper be happening consuming, so we ofttimes go discover to verify patch the images from a conference are converting.
Once the transmutation is finished, you module hit a folder of 16-bit TIFF files to do redaction and retouching on. We ingest TIFF at our flat because it is a expiration inferior format. That is, we crapper spend the enter as whatever nowadays as we same without dishonourable the ikon quality. JPEG is a lossy format, every happening you spend a JPEG file, you retrograde a lowercase more accumulation to compression.
Work line Step 6: Editing and Retouching
This travel of our impact line is where the actual impact is done. You module unstoppered apiece TIFF enter in the ikon application of your pick and attain trusty your colours and danger are correct, the pasture is the artefact you poverty it, and the ikon is primed for printing. At this saucer you module attain whatever edits to the image, much as dynamical the crop, converting it to black and white, or doing whatever necessary retouching.
If you ingest the TIFF enter format, you crapper spend as whatever nowadays as you requirement to during this impact without having to vexation most losing ikon quality.
Once redaction and retouching is done, spend your impact enter and advise on to the incoming step.
Work line Step 7: Saving the Production File
One of the cons to employed with 16-bit TIFF files is that they avow up an dumbfounding turn of round space. Once we hit reviewed the images with the computer and ensured that no boost edits/retouching requirement to be made, we modify the TIFF enter to a JPEG creation enter for deposit purposes and sending to the lab.
Open the TIFF enter in your desirable ikon application and spend your enter as a Baseline Level 10 JPEG in the JPEG folder we created earlier. Why not spend as a Level 12 JPEG, you strength ask. When publication your image, there is no noticeable disagreement between a take 10 JPEG and a take 12 JPEG. Try it for yourself and see.
Once your files are ransomed as JPEGs, advise on the the incoming step.
Work line Step 8: Backup Your Production Files
This is a beatific happening to attain a patronage (either to CD/DVD, or to added hornlike disk) of your JPEG creation files. This ensures that you hit a double of every your hornlike impact and if something should hap to the example files, you undergo you hit a beatific backup.
Work line Step 9: Cleaning Up the RAW and Work Files
Once we undergo we hit a beatific patronage of our creation JPEGs, we withdraw the whole WORK folder and the whole RAW. This frees up the super turn of expanse that TIFF files order and leaves us with a governable ordered of files from the job. However, we hit already prefabricated patronage copies of the RAW files and the JPEG files, so if we ever requirement to re-edit an image, we hit the materials to do so.
Work line Step 10: Final Touches
At this saucer our creation JPEG images are primed to indicant or beam to the lab. Make whatever test adjustments to the ikon filler and indicant or upload your images.
Final Thoughts
With an economical digital impact flow, direction super amounts of digital images is cushy and relatively pronounce free. I wish this tutorial has presented you whatever ideas on how to prizewinning falsehood your possess RAW digital impact flow.
Martin F. Hengst has been a professed artist for more than a decade. He and his spouse Barbara removed Captured Radiance Photography, a flat sacred to glamour, boudoir, and hint portraiture. His online portfolio crapper be institute at: http://www.capturedradiance.com
Tags: digital, flow, images, jpeg, photography, photos, RAW, tiff, work, workflowdigital, flow, images, jpeg, photography, photos, RAW, tiff, work, workflow
Digital photos are stored as files on module game and machine hornlike disks. They crapper be stored in assorted enter formats (each info has a unequalled enter extension). Digital picture files crapper be shut to spend hardware expanse and crapper ingest a accepted or a copyrighted format.
Digital photos are ransomed as digital files on electronic media. These digital picture files are a assemblage of bytes. JPEG is a accepted enter info for storing such digital photos. The JPEG info supports densification and allows rattling economical broad calibre hardware of digital photos. When using the JPEG info some code from assorted vendors that adheres to the accepted crapper create and impact JPEG files.
JPEG - Joint Photographic Experts Group
The JPEG enter info was fashioned by a primary business assemble for the determine of storing and pressure broad calibre digital photos. Later on JPEG became an ISO accepted and it is belike digit of the most favourite formats for storing digital photos today. JPEG files are also famous ultimate as JPG files (named after their ordinary enter spreading .JPG).
The organisation content of the assemble was the economical hardware of digital photographic files patch maintaining their example broad calibre (or calibre which is as near as doable to the example one). JPEG files crapper hold lossless densification but since lossless densification is wasteful when pressure digital photos it is scarce used. In most cases JPEG files ingest lossy densification to expeditiously equal digital photos.
It is cushy to see the need for such economical densification by using an example: Digital photos files are shapely of pixels apiece digit has a continuance representing its colouration and intensity. Each element occupies 3 bytes (one for Red, digit for Green and digit for Blue - representing the colouration and grade of the pixel). If you dispense a picture using an 8 mega pixels digital camera the picture module hit 8000000 pixels apiece digit occupying 3 bytes. The amount enter filler would be 8000000*3=24000000 or 24Mbytes. This is a rattling bounteous file. Big files are hornlike to cook they verify a daylong instance to beam by email, they live super hardware expanse and they verify individual to load. If that aforementioned enter was shut into a JPEG digital picture enter its filler would turn to most 3Mbytes - a such more governable enter size.
JPEG files are extremely economical in pressure digital photos. They are using densification methods that were specifically fashioned for digital photos and verify plus of digital photos attributes that earmark a more economical state of pixels. The JPEG info accepted the artefact a digital picture is represented and advisable structure to wedge digital photos. Using this accepted code from digit vendor crapper wedge and create a JPEG digital picture enter patch code from a assorted vendor crapper feature and impact it. There are some assorted compressors implementations that dissent in the calibre of the shut photo. Also - the digital picture compressor crapper be ordered to assorted levels of compression. When using a rattling battleful densification environment the digital picture enter crapper be rattling diminutive - the lateral gist still is humiliation in calibre - most perceptible is the attendance of super conservativist areas with the aforementioned colouration and pattern.
JPEG files are the most commonly utilised ones by digital cameras to accumulation shut digital photos on module game and machine hornlike disks as they termination in diminutive enter sizes and scarce some perceptible picture calibre degradation. Most cameras also permit the individual ordered the take of densification applicatory to the digital photos - commonly threesome take are provided: low, job and broad - where baritone results in bottom enter filler change but crack calibre and broad results in the smallest files but the maximal humiliation in calibre - in most cases still that humiliation is scarce perceptible by the unskilled photographer.
Ziv Haparnas is a profession stager and writes most applicatory profession and power issues. This article crapper be reprinted and utilised as daylong as the inventiveness incase including the backlink is included. You crapper encounter more aggregation most picture medium publication and picturing in generalized on http://www.printrates.com - a place sacred to picture printing.
Tags: BMP, compression, digital photos, GIF, jpeg, jpg, loss, LZW, photo files, photo formats, pixels, PNGBMP, compression, digital photos, GIF, jpeg, jpg, loss, LZW, photo files, photo formats, pixels, PNGThe question in the title of this article would be much easier to answer if you took
the word “digital” out of it. Color photographic printing has been relatively
unchanged since its debut, and you can expect those prints to last up to 100 years
if stored properly. [And by properly, I mean away from light in a consistently cool
environment without extreme highs or lows in humidity levels.]
But anyone who hasn’t been living in a cave the last five years knows that digital
photography is rapidly taking over traditional film processes. It’s time to ask some
tough questions about what that means for the lifespan of your treasured family
photographs.
Manufacturer’s claims. You’re shopping in your favorite office supply
superstore and pick up a box of glossy paper for your ink jet printer. The box says
it will last 104 years. But how accurate is that claim?
Independent, third party testing. Thank goodness for Henry Wilhelm. His
company, Wilhelm Imaging Research, conducts research on the stability and
preservation of traditional and digital color photographs and motion pictures.
Brand matters. I’m not a “brand loyalty at any cost” kinda gal, but in this
situation brand really does matter. Manufacturer X designed their paper and inks to
work together, and it’s in your best interest to use them the way they were
designed. Wilhelm’s testing has proved beyond a shadow of a doubt that cheap inks
fade more rapidly. So while it’s OK to use them for short-term documents, but it’s
the wrong choice for photographs you’d like future generations to enjoy.
Inkjet vs. traditional prints. “When properly stored, dyebased inkjet and
dye diffusion thermal transfer prints have stability comparable to that of traditional
photographic prints.” But ink jet prints are more vulnerable to certain kinds of
damage:
Water damage. According to tests, traditional photographic prints are
fairly stable in water. Some types of digital prints are completely destroyed when
they become wet, while some are more water-resistant. Dye-based ink jet images,
for example, showed serious damage after even a brief immersion in water.
Pollution. Airborne elements such as ozone can cause some colors to
fade very rapidly. Some ink jet prints had this color shift problem less than a month
after printing. Photos encased in frames are less susceptible to damage from
pollution. Use use glass or inert plastic that is specially manufactured to block
damaging UV rays.
Personally, I’ve decided to skip the ink-jet altogether. I had some not-so-great
experiences with printing my own photos (and cutting them out - ick) before I
started researching ink jet longevity. Now, I upload digital photos to my trusted
local photo processor. The web interface is quick and painless, the prices are
reasonable, and I pick up my prints on my way home from work.
One final word of advice: Stay away from quickie one hour shops because
that rapid turnaround time doesn’t always allow for proper rinsing. Residual
chemicals (no surprise) will cause prints and film to degrade more quickly. I also
noticed once that a popular online printer (they like to flood my in box with free
print offers) charged extra for trusted paper brands like Kodak. Hmmm… Something
to think about.
Still have questions? Send email queries to Ask the Archivist:
ask@jacobsarchival.com
—————–
About the Author: Sally Jacobs has a Master’s Degree in Library Science
with a Specialization in Archives Management from the University of Wisconsin-
Madison. She has worked on collections at the Library of Congress, the Wisconsin
Historical Society, the Chicago Chapter of the American Red Cross, and many family
collections just like yours. She teaches non-archivists how to organize,
preserve and share their treasured memories.
Did you like these tips? Would you like to receive FREE articles
like this one every month? Get your very own subscription to our free Ask the
Archivist e-zine! Subscribe online [http://www.jacobsarchival.com] or send a blank
email to: subscribe@jacobsarchival.com
Archives
Categories
Recent Posts
recent entries
- How to Coose a Wedding Photogrpaher - What to Look for in Your Wedding Photographer’s Images
- Getting Media Attention For Your Indie Film You Can Get Good PR Even Without a Studio Budget
- Getting Your Words Out Winning Free Poetry Contests
- Pick your Poison - Top 10 Scary Movies
- Time for a Photo Trip
- Positive Aspects behind Problem-Crazing
- The Songwriting Habits
- Skinned Deep - Low Budget Filmmaking at its Worst
- Nelly Furtado’s Punk-hop sound
- Learning About Photography By Enrolling in a Class
© Copyright 2006 Funnies-Art.com : The Good art story and funny. All rights reserved.
Edit here in the footer.php
